I can’t remember the last time a major studio released a summer blockbuster that wasn’t a sequel, prequel, reboot or adaptation of a comic book. This is particularly true of Sony Pictures, which in recent years has signed off on a string of horrendous duds, highlighted in 2015 by Paul Blart: Mall Cop 2 and Pixels. However, this doesn’t mean there are no good movie ideas out there for major studios to pursue — the problem is that they’re not pursuing them. And this is where Netflix comes in to rescue movies from Hollywood.
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